February Music Round-up

Rihanna | ANTI

Finally, THE singles artist of the decade decides to make a listenable album start to finish. ANTI is as efficient as it is love-drunk in its songwriting. Sure, there aren’t any monsters like “We Found Love” or “Umbrella”, but they wouldn’t fit here, anyway. This is personality as a compositional device – a hypnotic, no-fucks-given endeavor that largely avoids studio filler. Musically, it’s her least-maximal, allowing her vocals to seethe, sway, slink, and swoon around the un-radio-friendly, hazy grime of the production. It’s no accident that her best vocal performance is on her best album.


Mind Enterprises | Idealist

Debut from Italian-born EDM producer who loves the ’80s. Compsitions are surprisingly mature given his young age. 21st Century dance music that’s smart – whoever heard of such a thing?

[You can read my full review here.]


Collision | Satanic Surgery

Standard crossover thrash (leaning towards punk) with Entombed’s guitar tone and edge-of-sanity vocals – nothing special or overly original. That said, this record is a fucking lotta fun. And it’s only 26 minutes, so it’s over before you can hate it. Bonus points for the song titles: “Operation Meatcleaver”, “All You Need is Hate”, “Necromantic Love Affair”, and “Touch Me, Jesus”.


Animal Collective | Painting With

Ever OD’ed on Skittles? Imagine the colorful, most joyous moments of Merriweather Post Pavilion and multiply by a billion – that’s Painting With. AC paints with pinballing colors packed so tightly together that superfluous “Wipeout” and Coke ad samples leaks out. Naturally, there’s little, if any, room for subtlety; without it, these songs are children constantly yelling their parents’ names simply for the the attention.  It’s all ADHD bright colors without requiring any real patience to abosrb the music – which is to say, the perfect album for the Spotify generation.