Painkillers finds Fallon trading the punk stylings of his main band for an attempt at a singer-songwriter record (read: an acoustic-based affair). Fallon does a little experimenting, too: “Long Drives” sports some country-rock flavor and “Mojo Hand” is a solid bar band impression. The anthemic nature of his writings remain, too – “Smoke” and “Nobody Wins” match the highs of his best sing-alongs. Lyrically, it’s not as heavy as TGA’s Get Hurt; however, Fallon still sings about the pain of lost love and past mistakes. Painkillers is gravelly-voiced jangle-pop that’s polite, inoffensive, and without risk. On those terms, it’s a success.