My last column for Spectrum Culture was a retrospective on The Offspring’s Americana, a record that was a big part of my middle school years.
Some of it hasn’t aged well, but I still think “The Kids Aren’t Alright” is a great single.
I write stuff and you read it.
My last column for Spectrum Culture was a retrospective on The Offspring’s Americana, a record that was a big part of my middle school years.
Some of it hasn’t aged well, but I still think “The Kids Aren’t Alright” is a great single.
The final review I wrote for Spectrum Culture: Chromeo’s superb new album Head Over Heels.
It’s as good as White Women, but without the lofty ambition. Just a buncha great songs.
In which the most divisive band in metal makes a record that will be divisive among its defenders. Their least metal offering, OCHL largely augments their blackgaze aesthetic with classic rock and piano balladering. Kerry McCoy wisely opts for sunset-purple watercoloring and arena-ready solos to augment George Clarke’s most impressionistic set of lyrics to date (“I have wondered about the language of flowers/ And you, elaborate mosaic, greeting me”). As a result, it’s (unsurprisingly) expertly paced and Deafheaven’s most emotional release. Is it happy? Rock? Black metal? None of that matters when an album is this fucking beautiful.